Geschmack ist king
At the heart of Tobias Kratzer’s incisively rollicking production of Tannhäuser lies a metanarrative that maps Wagner’s early political and artistic challenges onto its hero’s philosophical struggles.
6 pieces since 2016 — in 6 roles, at 3 companies, most often at San Francisco Opera.
1 piece as Venus — stats above show all coverage for Irene Roberts.
View allAt the heart of Tobias Kratzer’s incisively rollicking production of Tannhäuser lies a metanarrative that maps Wagner’s early political and artistic challenges onto its hero’s philosophical struggles.
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