“The most significant dramatic creation since Les Huguenots” “The most significant dramatic creation since Les Huguenots”

Awaiting the return of Parsifal to the Met, “Trove Thursday” hops to the other end of Wagner’s oeuvre with a recent Rienzi der letzte der Tribunen.

‘Wunder’ of wonders ‘Wunder’ of wonders

Opera Vlaanderen opened its 2017-18 season with a rare staging of Korngold’s Das Wunder der Heliane.

Wunderbare Träume Wunderbare Träume

Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.

Not quite Godunov

In the fall of 2010, director Andrei Konchalovsky and conductor Gianandrea Noseda struck up a collaboration for a new production of Mussorgsky’s Boris Godunov, to be performed at Teatro Regio Torino, co-produced with Palau de les Arts Reina Sofia of Valencia and Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari. 

Ring around the Bay

Here goes with the End of the Gods and the End of these Ring reviews:  Götterdämmerung was more of a mixed bag than the other operas, but still left a powerful impression. This was where Zambello’s choice to steer clear of heavy spectacle was most evident to me. The cost in grandeur was offset by…

Barenboim sings again!

Introducting a new guest critic, Giulia Grisi, who blogs regularly for “Il Corriere della Grisi.” La Scala’s 2007-8 opera season opened last night (December 7) with a new production of Tristan und Isolde. The Milanese theatre hadn’t presented Wagner’s masterpiece since 1978, when Carlos Kleiber‘s masterful interpretation became an instant classic, in spite of a…