Intermezzo (a love story)
The glorious and beloved Elisabeth Söderström tackles the fiendishly difficult role of Christine in a 1974 performance from Glyndebourne.
3 pieces since 2011 — at 1 company, most often at Wiener Staatsoper.
The glorious and beloved Elisabeth Söderström tackles the fiendishly difficult role of Christine in a 1974 performance from Glyndebourne.
The very first Vienna post-war performance of Elektra.
A documentary about the heldentenor Max Lorenz would seem to be an ideal prism through which to examine the moral ambiguities and trade-offs of artistic life in the Third Reich. The preeminent Siegfried, Tristan and Tannhauser of the Nazi era was considered so essential to the success of Bayreuth that Winifred Wagner told Hitler that […]
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