Haus of eternal return
In Nike Wagner’s essay “The Sounding Silence,” the German dramaturge argues that “the longing for deathrepresents the central motif” of her great-grandfather’s opera Tristan und Isolde.
43 pieces since 2011 — in 19 roles, at 6 companies, most often at Metropolitan Opera.
3 pieces as Bayreuth Festival — stats above show all coverage for Günther Groissböck.
View allIn Nike Wagner’s essay “The Sounding Silence,” the German dramaturge argues that “the longing for deathrepresents the central motif” of her great-grandfather’s opera Tristan und Isolde.
At the heart of Tobias Kratzer’s incisively rollicking production of Tannhäuser lies a metanarrative that maps Wagner’s early political and artistic challenges onto its hero’s philosophical struggles.
Fertilization; birth; growth; decay. Eating; digestion; defecation; fermentation; biogas recovery; food production. Wagner’s Tannhäuser is a meditation on the relentless, repetition of cycles that define our existence and man’s insistence on the possibility salvation despite all the biochemical evidence to the contrary.
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