Walvater knows best
There is a mighty appetite among both old Wagnerians and new ones to see a Ring that follows—if not too slavishly—the scenic requests of the libretto.
Greer Grimsley
14 pieces since 2010 — in 6 roles, at 4 companies, most often at Metropolitan Opera.
14
pieces
6
roles
4
companies
17
years
3 pieces as Seattle Opera — stats above show all coverage for Greer Grimsley.
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Bark, not Bayreuth
Is Der Ring des Nibelungen responsible for the transformation of Seattle from a gray, damp, low-rise Boeing company town where half the jokes had punchlines in Norwegian (and were about lutefisk in any case) into today's booming cultural metropolis? I like to think so.
Similes of a summer night
Blazing Jupiter, the Jovial Star, my personal magical azimuth, plus Perseid meteors wafting about, burning out as do our souls, as we arrived home from Seattle Opera’s new production of Tristan und Isolde.