One from the vault
There has never been a successful vampire musical—so they say. But that’s just not true.
8 pieces since 2012 — in 7 roles, at 5 companies, most often at New York City Opera.
There has never been a successful vampire musical—so they say. But that’s just not true.
La Campana Sommersa (The Sunken Bell), which is being presented by the New York City Opera at the Rose Theater through April 7, is a true oddball.
The vivacious MANON! at Heartbeat Opera makes a strong case for the return of opera in translation.
Between staging, music, and material, it’s hard to decide what feels most broken about New York City Opera’s American premiere of Brokeback Mountain.
The name Joseph Rumshinsky might ring a bell (or a shofar).
Thursday evening Piramo e Tisbe demonstrated that its assembled forces were the little opera theatre of ny that could.
Frustrated, perhaps, by the bulky requirements and dubious future of grand opera—and grand opera commissions—Benjamin Britten created some of his most intriguing and, nowadays, popular pieces for small casts and chamber orchestra.
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