Methinks the lady doth protestant too much Methinks the lady doth protestant too much

Old pros Gregory Kunde and Pier Luigi Pizzi anchor a new staging of Stiffelio co-produced by three theaters in Emilia-Romagna.

“By boycotting us, you are killing art” “By boycotting us, you are killing art”

Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”

Thane and suffering Thane and suffering

In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride

Thoughts on <em>La Forza del destino</em>: versions Thoughts on <em>La Forza del destino</em>: versions

Following the composition of Un ballo in maschera, Verdi had gone into a self-imposed retirement, at least musically; he had not composed a note in four years.

Babylon revisited Babylon revisited

What if you could time travel back to the first run of Giuseppe Verdi’s first great success Nabucco?

Captivating in Babylon Captivating in Babylon

Verdi’s first operatic masterpiece is well served by this DVD of a performance from the Teatro Regio di Parma.