The queen’s gambit
Lately I’ve been loving listening to Régine Crespin, prompting Trove Thursday to celebrate the great French soprano with private in-house recordings of two of her important non-Met North American appearances.
5 pieces since 2013 — in 5 roles, at 4 companies, most often at Bayreuth Festival.
Lately I’ve been loving listening to Régine Crespin, prompting Trove Thursday to celebrate the great French soprano with private in-house recordings of two of her important non-Met North American appearances.
After attending three Met Lohengrins I’ve gone into Wagner withdrawal waiting for the upcoming Der Fliegende Holländer.
Since the 1916 version of Ariadne auf Naxos which we all know and love had its premiere at Wiener Staatsoper, it seems most appropriate to bring you this 1967 performance from the same venue, with a legendary cast at its zenith.
Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.
The curious things about accepted wisdom is that sometimes it’s correct.
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