40 pieces since 2010 — in 18 roles, at 6 companies, most often at Metropolitan Opera.
2 pieces as Hans Sachs — stats above show all coverage for Gerald Finley.
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Beneath the pageantry, the paeans to German art and the self-referential allusions to the creative process, Die Meistersinger is a story about a community and human qualities like love, friendship, envy and hatred.
Opera’s Scottish enfant terrible David McVicar has applied his considerable skills in this 2011 Glyndebourne production of Die Meistersinger, the result being a refreshing new take on a familiar warhorse.
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