Teatro Nuovo took a spirited journey of rediscovery into the valley of forgotten operas and resurrected Federico and Luigi Ricci’s 1850 opera buffa Crispino e la Comare last Thursday at the Rose Theater at Jazz at Lincoln Center.
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
The Teatro di San Carlo in Naples is a pearl itself and this presentation proffers some of the best that company has to offer.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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