Home run
The Barber of Seville turned out to be the most overall solid production of the year and even a bit of old-fashioned fun.
58 pieces since 2006 — in 26 roles, at 13 companies, most often at Metropolitan Opera.
3 pieces as Washington National Opera — stats above show all coverage for Eric Owens.
View allThe Barber of Seville turned out to be the most overall solid production of the year and even a bit of old-fashioned fun.
A regular day in 2018 Washington, D.C., or Verdi’s Don Carlo?
Kurt Weill and Maxwell Anderson’s 1949 musicalization of Alan Paton’s Cry, the Beloved Country has found a tentative home on the opera stage.
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