To get right to the point, the performance did not come together despite some good elements and was a major missed opportunity.
Were Joan Sutherland and Marilyn Horne 20th century opera’s ultimate same-sex pairing?
Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.
Sometime in the late 1950s, the management at Glyndebourne had the good idea to make archival recordings of the performances there, and these recordings, duly remastered and transferred to digital form, are gradually coming before the public through Glyndebourne’s house label. Thus it is that we find ourselves with this early release, a recording of…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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