Give ’em Hellman
I mean, how often does one get to hear Bernstein’s gorgeous, rollicking, and varied score nursed by a full orchestra and the artistic resources of an opera company?
12 pieces since 2016 — in 9 roles, at 5 companies, most often at Metropolitan Opera.
1 piece as Cunegonde — stats above show all coverage for Emily Pogorelc.
View allI mean, how often does one get to hear Bernstein’s gorgeous, rollicking, and varied score nursed by a full orchestra and the artistic resources of an opera company?
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