24 pieces since 2009 — in 12 roles, at 8 companies, most often at Metropolitan Opera.
1 piece as Judith — stats above show all coverage for Ekaterina Gubanova.
View all
My first introduction to Béla Bartók’s one-act opera Bluebeard’s Castle was the musicologist Susan McClary’s infamous book Feminine Endings. Here, McClary likened her search of a feminist musicology to Judith’s journey through the seven doors; a journey that ends in Judith’s symbolic death.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.
