Donizetti, lionized
Just when you thought it was safe to return to Rossini and Verdi—blam!
5 pieces since 2012 — in 5 roles, at 2 companies, most often at Amore Opera.
Just when you thought it was safe to return to Rossini and Verdi—blam!
At the age of thirty, Donizetti was already the experienced composer of about eighteen operas, both serious and farcical, but as Olivo e Pasquale (currently undergoing its American premiere run at Amore Opera) makes clear, the comic works were no slight matter.
When Arthur Sullivan (not yet Sir Arthur) composed his “dramatic oratorio” The Martyr of Antioch in 1880, he had just completed The Pirates of Penzance.
The opera Patience and Sarah is a fantastic example of radical creativity.
An impresario with a hit on his hands—Emanuel Schikaneder, for instance, after the initial run of Die Zauberflöte—will crave nothing so much as an opportunity to hit the same bell.
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