32 pieces since 2011 — at 4 companies, most often at Opera Philadelphia.
Opera Philadelphia ended its season with Le Nozze di Figaro, Friday, and it will play May 3, 5, and 7—a matinee. Figaro is considered by most to be one of the few perfect operas and although it’s perhaps too easily encountered in routine run-throughs, there are usually rewards in seeing it.
Tancredi, given on February 10th, was a credit to Opera Philadelphia, who offered a well-considered and compelling production.
How Verdi’s opera might address this particular nightmare was unclear.
In Charlie Parker’s Yardbird, an opera based on the famed jazz musician’s life, the title character asks, “So if there is a God, why does the negro suffer? Is my prayer, my music lesser, smaller in God’s eyes?”
Jarrett Ott is a star. That is the only surprise takeaway from the well-intended snore, Cold Mountain.
Lisette Oropesa sang “The Lost One”—the meaning of “traviata.”
It’s a place where the one thing you can expect is the unexpected. The place is… Philadelphia?
The setting: a dark plaza extending directly in front of a storied opera house. The time: just after a ho-hum revival of something Puccini. The crowd streams out, moderately satisfied but also far from bowled over. A group open to a proposition, you could say.
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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