For art’s sake For art’s sake

Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of itso Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.

On the beach On the beach

The sea, the sky, the wind, the storms that are so frequently depicted in the music of Benjamin Britten are brilliantly illuminated in the new DVD of Peter Grimes on Aldeburgh Beach, a collaboration between Aldeburgh Music, film director Margaret Williams, and stage director Tim Albery.

Deeds of kindness to review Deeds of kindness to review

For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.

How jolly was my jenkin

I own almost every recording of the 13 operettas Sir Arthur Sullivan wrote with W.S. Gilbert ever made. Twelve Mikados, 14 Pirates of Penzance, 10 Iolanthes, right on down the line to the rarely heard Utopia, Ltd. I was a G&S fan long before I got into opera; when I was a teenager, their operettas…

The triumph of the Wilson

With the production of Siegfried, the “Ring for the 21st Century” staged by La Fura dels Baus finally hits its stride.