Keeper of the flame
Elina Garanca’s glorious Marguerite transformed La Damnation de Faust into the Met’s first essential must-see of the year.
25 pieces since 2013 — in 9 roles, at 7 companies, most often at Metropolitan Opera.
5 pieces as Metropolitan Opera — stats above show all coverage for Bryan Hymel.
View allElina Garanca’s glorious Marguerite transformed La Damnation de Faust into the Met’s first essential must-see of the year.
Thoughtless direction stifled the epic drama.
Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Every year I say I’m not going to another La Bohème because I’ve seen this too many times.
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