No one who speaks German could be an evil man
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
4 pieces since 2011 — in 4 roles, at 4 companies, most often at Staatsoper Stuttgart.
1 piece as Bayreuth Festival — stats above show all coverage for Attila Jun.
View allIf Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
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