29 pieces since 2005.
Many American opera-lovers take the “Grand Tour”—a pilgrimage to Europe to attend opera at its great houses—Peter Grimes at the Royal Opera in London or Otello at La Scala in Milan, or perhaps for the more well-heeled a visit to the summer festivals of Glyndebourne, Salzburg or Aix-en-Provence.
Handel’s Orlando is one of three operas Handel based on episodes from Ariosto’s best-selling sixteenth-century epic, Orlando Furioso. The story was, in 1733, well known throughout the Mediterranean world, and everyone set it to music—Vivaldi’s and Haydn’s settings have enjoyed recent revivals, and the libretto Handel set had originally been devised for Domenico Scarlatti. Intricate […]
I really haven’t paid much attention to “opera regie,” so I can’t give you a firm definition of it. A while ago, a pithy and biting piece called “How to Opera Germanly” made the internet rounds, and it serves as a handy guide for we who are un- or under-initiated. This production of Haydn’s Orlando […]
With Händel’s canon largely rediscovered and audiences hungry for more music from the Baroque period, opera houses and recording companies have increasingly turned their attention towards the stage works of Antonio Vivaldi. In only the past decade around 25 of Vivaldi’s operas and pasticcios have been revived, and more and more artists are performing and […]
Vivaldi’s Motezuma, the opera that refuses to die, will grace the boards after all, says an article by Paul Moor at Musicalamerica.com. A court in Duesseldorf has held that the Altstadtherbst Festival in that city may stage the piece, regardless of a previous injunction against performances filed by the “copyright owner,” the Berliner Sing-Akademie. (The […]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.
By submitting your email address, you will receive a free subscription to Parterre Box’s email newsletters and occasional special offers from us and our affiliates. You can unsubscribe at any time and we encourage you to read more about our Privacy Policy.
