The kindness of Previn
Renée Fleming is one of the most polarizing figures to be discussed here on an ongoing basis.
11 pieces since 2013 — in 6 roles, at 5 companies, most often at Carnegie Hall.
Renée Fleming is one of the most polarizing figures to be discussed here on an ongoing basis.
André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.
The Met is on it with something something woker than woke: a noirish psychodrama of a frigid hysteric who seeks redemption via Freudian analysis!
My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.
Ambiguity. That’s the theme of the operas of Benjamin Britten (ennobled as Baron Britten of Aldeburgh).
The creation of Kurt Weill’s The Eternal Road and its lately remodeled avatar, The Road of Promise, boiled down and premiered at Carnegie Hall Wednesday night by the Collegiate Chorale and the Orchestra of St. Luke’s, was an intricate process, far more interesting than the work itself.
The music was at every point dramatically compelling, without seeming cheap or manipulative.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.