Aria Force One
Ahead of the world premiere of Lincoln in the Bardo next week, Carmen Paddock looks at how presidents in opera can be both symbols of an idealized past and trenchant commentaries on the present.
Ahead of the world premiere of Lincoln in the Bardo next week, Carmen Paddock looks at how presidents in opera can be both symbols of an idealized past and trenchant commentaries on the present.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.