Saturday’s Washington National Opera premiere of a new version of Philip Glass and Christopher Hampton’s Appomattox had everything going for it but the opera.
For those who like their Handel loud, with no forfeit of baroque finesse, one promising solution is to make the hall smaller.
La Cieca preens proudly to present a peerless pair of protégés (left to right) Squirrel and Maury D’Annato. The bromancers attended (or one should say “took in”) last night’s Ariadne auf Naxos at the Met, and as of early this afternoon they were still deconstructing.
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