No one who speaks German could be an evil man
If Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
16 pieces since 2013 — in 9 roles, at 10 companies, most often at Mariinsky Theatre.
1 piece as Bayreuth Festival — stats above show all coverage for Anja Kampe.
View allIf Frank Castorf‘s work on Der Ring des Nibelungen at Bayreuth accomplishes nothing else, it should serve as a sort of loud disorganized reminder of the dangers of indulging in the intentional fallacy.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.