Form over function
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
1 piece since 2025 — at 1 company, most often at Philadelphia Chamber Music Society.
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.