Some old and then some new tricks Some old and then some new tricks

David Fox and Cameron Kelsall take on a new revival of Gypsy: Is there any gayer or more impassioned theater topic?

They trod a path that many have trod They trod a path that many have trod

Sweeney Todd is by any measure a triumphant show, the kind that makes an audience understand why Broadway is American theater’s gold standard

Did I mention there’s a mime? Did I mention there’s a mime?

In terms of wild applause, it was Donna Murphy as Aurelia who was front and center, exciting the audience to a fervor with each re-emergence on the stage.

A crash course in adult relationships A crash course in adult relationships

The mixture of romance and realism in Sondheim songs, the revelation that while love could be grand and passionate it could also be mundane or inconvenient or mistimed or just plain embarrassing, was such a relief.

Hello again, Gorgeous! Hello again, Gorgeous!

It’s high time we see Funny Girl through a different lens.

Will you tell me what it’s all for? Will you tell me what it’s all for?

“Good God—an adult musical!”

Commie dearest Commie dearest

The Manchurian Candidate is indeed operatic: outsized characters, a doomed love story and a narrative fraught with suspense.

A Littler “Night Music”

A Little Night Music at the Walter Kerr last night left me longing for a little more than we were given. Yes, there are some wonderful things about this revival of Stephen Sondheim’s most unabashedly romantic musical – and I’ll get to those in a minute – but the sets and costumes by David Farley…