Amilcare Ponchielli’s La Gioconda might not be a perfect opera (though I don’t see why not) but it is one of my favorites…
At one time, the idea of a performance of La Gioconda conjured up images of over-the-top, competitive, passionate vocalism, and big personalities. As a vehicle for great singers (and especially a great protagonist), it was thrilling.
Having recovered from today’s five hour dress rehearsal at the Met, La Cieca’s spy Barnaba offers this report: There isn’t much point to doing La Gioconda in this day and age if you haven’t got a cast who can put it over. Wonder of wonders, the Met has dug its ancient (1967) staging out of…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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