What is surreal, symbolic, and generally mysterious in the dramatic arts can get a bad rap.
It will come to no surprise to followers of the direction of Stefan Herheim (or to readers of La Cieca’s gushing fangirl appreciations of his work) that his Stuttgart production of Der Rosenkavalier was as “delightfully busy” as we have come to expect.
Having recently reviewed Glass’s The Perfect American on this site and participated in spirited discussions about the film Saving Mr. Banks, it is perhaps not surprising that Walt Disney should spring to my mind as I watched the Unitel Classica video
of Die Zauberflote from the floating stage of the Bregenzer Festspiele.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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