Tree for the show
The late-mid 1730s were transitional years for Handel, to put it nicely.
7 pieces since 2015 — in 6 roles, at 2 companies, most often at Washington National Opera.
The late-mid 1730s were transitional years for Handel, to put it nicely.
Washington National Opera’s American Opera Initiative, now in its 5th year, keeps the opera flame alight at the Kennedy Center during the long winter stretch between mainstage WNO productions.
Going into Washington National Opera’s final presentation of the season, Madama Butterfly, I feared that I might be geisha’d out.
Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera.
For all the company’s good intentions this opera-dance combo was not one of its happiest outings.
A regular day in 2018 Washington, D.C., or Verdi’s Don Carlo?
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