Master of monumentality Master of monumentality

On this day in 1987 the Met raised the curtain on Franco Zeffirelli‘s production of Turandot.

The future’s so bright The future’s so bright

For this, the 250th edition of Trove Thursday, [hold for applause] a broadcast of a memorable evening at Carnegie Hall—and I was there: Smetana’s stirring Libuse, the Czech national opera, with a transcendent Gabriela Benackova as its titular prophetess.

“Haven’t we all suffered enough?” “Haven’t we all suffered enough?”

Sunday’s matinee at Lyric Opera of Chicago was my first experience of Heggie and McNally’s 2000 opera Dead Man Walking. It certainly won’t be my last.