While everyone tries to figure out what on earth Strauss and Hofmannsthal are up to in Die Frau ohne Schatten, now playing at the Met, Chris’s Cache offers a later, simpler, shorter Strauss with three live broadcasts of his “bucolic tragedy” Daphne.
With a primary color, projection-heavy English-language Magic Flute that’s going to feel like a matinee whenever you see it, the SFO season has lived up to its initial promise.
Having recently reviewed Glass’s The Perfect American on this site and participated in spirited discussions about the film Saving Mr. Banks, it is perhaps not surprising that Walt Disney should spring to my mind as I watched the Unitel Classica video
of Die Zauberflote from the floating stage of the Bregenzer Festspiele.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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