Recent Stories
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
In the midst of an eventful summer for the Arena di Verona, one important happening has flown under the radar: the return of Anita Rachvelishvili to her signature role of Carmen, of which Parterre Box features a sample of today
Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.
Rita Gorr as Ortrud, Bayreuth, 1959, Cluytens.
Chris’s Cache previews the upcoming Bayreuth Baroque Festival with a rare recording of Cavalli’s Pompeo Magno
Iván Fischer leads an all-Hungarian team in a broadcast from the Proms
The superb 1958 Bayreuth Lohengrin, under the wonderful Cluytens.
The repertory company of Munich’s Gärtnerplatztheater brings sparkle to a goofy, summery L’elisir d’amore
Grand Tier Grab Bag
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
Recency bias is in full swing here, but Glyndebourne’s first ever staging of Parsifal – and my first Parsifal – takes top prize for me.
In Lohengrin, populism comes to an apocalyptic end on the Bavarian stage
A performance recorded earlier this summer at The Santa Fe Opera
Talk of the Town
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
The 1959 Aïda is so overrated
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
The 1973 La bohème is so overrated
The Solti recording of Bohème is completely miscast.
The Solti recording of Bohème is completely miscast.
I suppose Der fliegende Holländer is my favorite Wagner opera — a riveting masterpiece from start to finish, dramatically and musically.
A recent review of Olga Maslova as Aïda is as good a reason as any to share a clip of her fascinating Turandot
Lisette Oropesa and Kate Lindsey star in a live video broadcast from Salzburg
Sherrill Milnes sits down with Brendan Latimer to talk about his life, career, and what he hopes to pass along to the next generation
Eleanor Steber and Wolfgang Windgassen in the Act III bridal chamber scene of Lohengrin.
The groundbreaking director and designer of works like Einstein on the Beach died earlier today at his home in Water Mill, New York
Claus Guth mines urgent and contemporary commentary from Die Liebe der Danae in Munich.