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The announcement that the increasingly Trump-annexed Kennedy Center would be presenting Robert Ward‘s The Crucible seemed too on-the-nose to be true.
Chris’s Cache celebrates Karita Mattila, one of its favorite singers, in a special double-bill featuring the soprano performing Janáček, one of her signature composers.
The moral stench seeps through Peter Gelb‘s decision to partner with the Saudi government, but what new sources of funding for the Met don’t have red flags?
Barrie Kosky directs Lady Macbeth of the Mtsensk District. Sickos: “Yes… ha ha ha YES!”
This week, Parterre Box features summer Einspringerin Marigona Qerkezi in some different Verdi fare.
In a world of guilty pleasures, Arabella is mine.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
I’d love to have a better answer than ‘movie star directs opera’, but I’m curious to see what Ralph Fiennes does with Eugene Onegin in Paris.
Ross Wassermann tracks the development of “Che farò senza Euridice?” — and “J’ai perdu mon Eurydice” — for this month’s Perspectives on an Aria
This season, I’m looking forward to Washington Concert Opera’s (WCO) production of Georges Bizet’s Les pêcheurs de perles on 14 March 2026.
So many Frida Leider clips to choose from, but I’ll pick this one because it is so different from what we might think of as the “typical” Wagnerian dramatic soprano.
Talk of the Town
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
A favorite bass performance from Bere Wendriner
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
A favorite bass performance from Ivy Lin
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
A favorite bass performance from Krunoslav
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
A favorite bass performance from Michael Landman-Karny
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
A favorite bass performance from Kevin Ng
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
Nowhere are the contradictions between Wagner’s small-mindedness, his meanness of spirit, and his human insight on clearer display than in Hans Sachs monologue Wahn, Wahn überall Wahn in the third Act of Mesitersinger.
My recollections of Hurricane Katrina, which made landfall in Louisiana twenty years ago today, come with a pair of odd bookends: it starts with Verdi’s Don Carlo and ends with Puccini’s Il trittico.
The 1966 Bayreuth Festival production of Tristan and Isolde, conducted by Karl Böhm provides Nilsson with the cast she truly deserved, including Wolfgang Windgassen, Christa Ludwig, Martti Talvela, and Eberhard Waechter.
Wagner month at Parterre Box concludes in grand and explosive style: octogenarian Hanna Schwarz and sexagenarian Karita Mattila in crucial moments from Das Rheingold and Lohengrin.
Chris’s Cache offers Nadine Sierra and Xabier Anduaga, the stars of the upcoming production of La sonnambula, in a performance of another favorite bel canto opera
Die Walküre Met 12/6/1941- Helen Traubel, Astrid Varnay (debut), Kerstin Thorborg, Lauritz Melchior, Friedrich Schorr, Alexander Kipnis, cond. Erich Leinsdorf
Eva Maria Westbroek in her prime, in a role in which I find her unsurpassed among current singers.
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