Questo e Quello

Met 2.0

La Cieca notices that The Met’s website metopera.org has relaunched with an abundance of new content, focusing at the moment on the eagerly-awaited opening night whoop-de-do, but also pointing to the first week’s revivals of Gioconda and Idomeneo.And that’s just the tippity-tip of the iceberg, because deeper in the site there’s a magazine’s worth of…

The costumes, the scenery, the make-up, the props!

Now, that’s more like it, La Cieca squealed to herself when she saw this morning’s news about the multi-venue simulcast red-carpet whoop-de-do surrounding the Met’s opening night production of Madama Butterfly. It’s a celebrity-centered universe we live in; no getting around that, so why indeed not promote the Metropolitan Opera as the most glamorous show…

Endless Love?

The Artists Formerly Known As The Love Couple made one of their now-rare duo appearances last weekend singing something called “Come Prima” at a BBC concert in London’s Hyde Park. The poster for the event suggests that Angela Gheorghiu and Roberto Alagna are shall we say, growing apart. Why the distance between the once-inseparable team?…

Ich kann nicht sitzen

The first donnybrook of the Gelb era may well be the Revolt of the Standees. As most of you know, the Met’s Standing Room policy for the past 20 years or so has been to sell tickets for each week’s performances on Saturday morning. The queue that formed early in the a.m. has been under…

Tech talk

As La Cieca rather broadly hinted yesterday, the Met Opera will indeed bump up their number of broadcasts (and telecasts) this season. Six simulcast video performances (to be viewed in movie theaters) and “more than 100” audio-only Web and satellite radio presentations are promised according to a press release on the Met’s website. The first…

The Unpleasant Peasant

Or, what it would look like if Lucy Ricardo and the Wednesday Afternoon Fine Arts League did a production of La gioconda. (Actually the video is from the Liceu in 1978, but it does like the sets were paid for with a postdated check.)

Psychedelic Psumac

Speaking of the Ynimitable Yma, La Cieca was just sent a track from the Queen of Exotica’s 1971 acid-rock classic “Miracles!” You only think you know Camp until you experience “Let Me Hear You.”

Branding

An image La Cieca herself would have been proud to Photoshop, along with a skeptical take on the Met Opera’s new advertising blitz, over at Gawker.

Meowentine Price

La Cieca has been experimenting with animation software, as well as harvesting some choice sound bites from YouTube videos.

Night, Mother

Among the celebs at the opening of Brecht’s Mother Courage presented by the Public Theater, glimpsed were Renee Fleming (who perhaps should have been reminded that she was on hand to see Mother Courage, not to be Mother Courage) , and the perennial Jessye Norman, whose transformation into Star Jones is now complete.

Liquid eyeliner

Not many people know this, but soprano Virginia Zeani was actually born in Brooklyn under the name “Amy Camus.”

Styling

Isn’t that Angela Gheorghiu on the cover of the New York magazine fall fashion issue?

Sontag’s Missing Note

“Among the distinguished Camp alumni are opera and concert soprano Jessye Norman, ‘Roseanne’ star Sara Gilbert, actor Tom Hulce, ‘Cathy’ creator Cathy Guisewite, vocalist Peter Yarrow of Peter, Paul and Mary, and CBS News Correspondent Mike Wallace.” (Well, actually that paragraph is from a news article about Interlochen, but it certainly sounds like it belongs…

Myspace cadet

La Cieca has decided to do as the (other) young people are doing and so she has joined MySpace. Won’t you visit her there?

METTunes?

La Cieca hears that the new regime at the Metropolitan Opera (or the MET Opera, as it will henceforth be called) is moving forward with the recording of selected 2006-2007 live performances, to be sold via download on the “iTunes” model. An agreement reached a couple of weeks ago with the American Federation of Musicians…

Just ask the chorus — they’ll tell you
Enzo sees the future

Our old, old, old friend Enzo Bordello has been laying low for the last year or so, but he seems to be sniffing about the web again in search of the latest operatic news. He’s uncovered quite a trove over at Brad Wilber‘s Met Futures page. Enzo’s sum-up: Maria Guleghina‘s star appears to be on…

New podcast player

A new way to listen to podcasts, courtesy of the wonderful folks at Odeo.com: a new pocast player that looks like a video Ipod. If you would like to add this player to your web page, just go here, click on “copy to clipboard,” then just paste the code on your page. Easy, no?

Someone in Heaven is frowning

From today’s obit of Elisabeth Schwarzkopf in the New York Times. Why, yes, you’re right. That is Anneliese Rothenberger, who not only is not Elisabeth Schwarzkopf, but is also not dead.

Der Tod, das ist die kühle Nacht

Elisabeth Schwarzkopf died this morning at her home in Switzerland. She was 90. The first report of the soprano’s passing was on Deutchlandradio Kultur: “Elisabeth Schwarzkopf ist tot. Wie der Deutschlandfunk erfuhr, starb die Sopranistin im Alter von 90 Jahren in ihrem Wohnort Zumikon in der Schweiz. Elisabeth Schwarzkopf besaß eine der schönsten Sopranstimmen ihrer…

Träumerisch!

Sigh . . . it does seem a pity to conceal in a covered orchestra pit a conductor who looks like this!

Mystère-en-scène

Nothing more fun on a scorching summer day that a friendly game of “Name that Opera.” Below you’ll find two photographs from a recent production of a familiar opera. Can you name the opera? (Bonus: who’s the director?) (P.S. — no fair “guessing” if you know the answer from having seen the production or reviews…

Queens Power Struggle — Update

La Cieca rushes back into blackout-torn Queens, New York to podcast Donizetti’s Maria Stuarda, starring Barbara Frittoli and Anna Caterina Antonacci. Unnatural Acts of Opera.

Breaking: David Daniels is the Met’s Orfeo

The mystery is solved, and, as usual, La Cieca predicted it well ahead of the official announcement. Per the Met’s website, David Daniels will sing the four performances of the new Orfeo ed Euridice production in May 2007. David joins a distinguished group of artists who have interpreted the role of Orfeo at the Met,…