Articulate, awe-inspring, alliterative administrator The Man of Steel spoke yesterday to New York One, defining his vision for the mission of the New York City Opera: “Championing new repertoire and discovering old repertoire. And particularly promoting American operas and American opera singers and providing visionary new productions of standard repertoire. So it’s a very clear […]
As La Cieca intones after the jump (in her newly-found inhuman manner) you can upload a photo (of your favorite diva or divo) and this online gizmo will animate it into a talking Star Trek character. At the end of the animation process, please choose “share” and then “email” so you can send your Trekkified […]
La Cieca can hardly believe that as recently as four years ago nobody had ever heard of YouTube! To celebrate the site’s fourth anniversary, here’s one of the first clips La Cieca uploaded way back in the winter of 2005. [kml_flashembed movie=”http://www.youtube.com/v/ckP4OXzVevI” width=”425″ height=”350″ wmode=”transparent” /]
[La Cieca invites the cher public to supply a caption to the above photo. And while you’re at it, anyone care to identify the gentleman at right and what opera this is?]
An all-star “Walkürenritt” from 2003, featuring Alessandra Marc (Gerhilde), Eva Marton (Helmwige), Karan Armstrong (Waltraute), Agnes Baltsa (Schwertleite), Anna Tomowa-Sintow (Ortlinde), Gwyneth Jones (Siegrune/Rossweisse) and Jochen Kowalski (Grimgerde). Golden Girls
Is it just me, or does Joseph Calleja sound simply amazing? La Cieca asks: is there a better lyric tenor out there today?
So, guess who’s going to sing Norma? “Sie ist die unbestrittene, strahlende Königin des Koloratur-Mezzofachs: Cecilia Bartoli. In der kommenden Saison wird sie im KONZERTHAUS DORTMUND in einer der bedeutendsten und schwierigsten Partien der gesamten Opernliteratur zu erleben sein: als „Norma“ in Vincenzo Bellinis gleichnamiger Oper. Die musikalische Leitung dieser wichtigen konzertanten Produktion liegt in […]
Bloomberg News (your go-to source for bad news about New York City Opera) today laments that the company has “once again reached deep into its endowment.” According to scribe Zinta Lundborg, that endowment has suffered perhaps irreversible shinkage, dwindling from a massive, bulging $51 million in 2001 to a puny, humiliating $3 million currently. Lundborg suggests […]
Our Own Sra. Flora del Rio, benevolent rhinemaiden of the Rio Grande, shimmered into a press conference at Santa Fe this morning and quickly shimmered out, there being but modest news to report on SFeO Season 2010. However, Flora sent this grist for your mills: Madama Butterfly, The Magic Flute, The Tales of Hoffmann, Life […]
Life sometimes does imitate art, or anyway bad art. La Cieca notes in today’s New York Post a story about a wedding interrupted when the bridegroom’s boss suddenly shouted that she had slept with the groom. As any hack librettist will tell you, this is a great excuse for the big third-act concertato.
The New York Times, the Metropolitan Opera, and Comedy Central! Genius!
A sharp-eyed member of the cher public writes: I attended a performance of Damnation of Faust (with a magnificent Polenzani and Ketelsen) in St. Louis this past Saturday night. When I arrived, there was Christine Brewer in the lobby looking quite well. No cane, no walker, no crutches, no limp, no nothing. I walked up […]
La Cieca hears vague rumors from here and there that there something major is going to happen with New York CIty Opera this week, possibly as early as today. According to an insider over the weekend “wagons [were] circling,” perhaps in reaction to the admission that the company has spent down over 2/3 of its endowment in […]
It took giocomopuccini only minutes to guess that last time’s Regie puzzler was Bellini’s Norma, though La Cieca is still open to suggestions about what the eggs are supposed to mean. Perhaps these photos will keep you guessing a little longer.Â
La Cieca just returned from the HD of The Audition, a documentary about the 2007 Met National Council Auditions. The film puts her in an optimistic mood about the future of opera performance, or at any rate opera performers. Focus is on three young tenors who (spoiler) all end up winning the competition.
“Opera star Paul Potts has given Susan Boyle his backing – and believes she could become as big a star as him.” [via WalesOnline]
The offbeat 1976 Robert Altman film Buffalo Bill and the Indians, or Sitting Bull’s History Lesson features divas Evelyn Lear and Noelle Rogers among the love interests of Paul Newman‘s eponymous Wild West showman. The complete movie is now available for viewing on YouTube.
The Met broadcasts Wagner’s Siegfried this afternoon. Discuss. Listen at noon EDT on Sirius or RealNetworks or your favorite internet radio station. Online: the libretto and the vocal score. And check out La Cieca’s Amazon Deal of the Day: the complete 1953 Bayreuth Ring conducted by Clemens Krauss, priced as low as $39.87!
Remember a couple of weeks ago when La Cieca called that NYT story about a potential strike at the New York City Opera “the scariest Friday news dump ever?” Well, she was wrong, wrong, wrong. The winner and new bone-chilling champion of all Friday news dumps just sneaked into the Times online. (Those of you […]
To the Met this evening, where Željko LuÄić jumps in as Rigoletto opposite Diana Damrau and Joseph Calleja.
She maintains her gloriosity even in a monosyllabic state!
La Cieca has just heard that Stephen Costello is the 2009 Richard Tucker Award Winner.
[Replaces “Mizrahi eliminated in Project Runway shocker!”]
Nicole Cabell sings Adina at the Met tonight, replacing Angela Gheorghiu. (Those of you keeping score at home will note that of the quartet of singers originally announced for this performance, only Franco Vassallo remains.)
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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