Questo e Quello

Kiss kiss

“Diva! The very word evokes tantrums, unreasonable demands — and the wrath of Aretha Franklin denied her Snickers bar.” Our Own JJ (not pictured) discusses divadom with Angela Gheorghiu in the New York Post.

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Deutsche treat

Boy, this review practically writes itself. I’ve heard Jonas Kaufmann’s Alfredo live and was duly impressed, so I was thrilled to have the opportunity to review this recording. All I can say about Jonas Kaufmann: Mozart, Schubert, Beethoven & Wagner (Decca 4781463), to be released April 6, 2010, is that it went straight to both […]

Regie inferno

Well done, Lindoro Almaviva, for not only guessing the opera but pinpointing the correct scenes and characters in Idomeneo! The production is by Ivo van Hove for La Monnaie.) And now for something completely less minimal.

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To chat or not to chat

You know La Cieca’s two favorite things in the world are French grand opera and ham, so how could she miss the chance to host a chat on so rare an occasion as today’s Met broadcast of Hamlet? The chat begins at 1:00 pm, and the details are after the jump.

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Comeback kid

According to first reports, Rolando Villazón enjoyed a much-applauded success earlier this evening at the Vienna State Opera as Nemorino, his first staged opera performance in almost a year.

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Ripped from the Regie

Oh, phooey! Barely 12 minutes separated La Cieca’s posting of the most recent Regie quiz and the correct guess by bassoprofundo. By the way, your doyenne’s current crush Stefan Herheim directed this production for Den Norske Opera. And now for a puzzler La Cieca hopes will be a bit more challenging!

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Batter my disc

I have heard Gerald Finley live and enjoyed his singing immensely. He possesses a strong, resonant, lyric baritone, even of scale and beautiful of timbre. His biggest successes to date have been creating the roles of Oppenheimer in John Adams‘ Dr. Atomic and Harry in Mark-Anthony Turnage‘s The Silver Tassie. He includes selections from both […]

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Leg show

Today’s gossip riddle: what does the Met’s upcoming Mary Zimmerman production of Rossini’s Armida have in common with the above-referenced classic of cheesy 1950s science fiction?

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