“I’m a contrarian! We contrarians question everything! The only thing we contrarians never question is the cheques we collect for writing our silly bloody contrarian codswallop! Oh, bugger those silly toffs in their poofy frocks! Cheque, please!” [The Guardian]
“…Tony Award winners Bernadette Peters and Elaine Stritch have been approached to succeed Catherine Zeta-Jones and Angela Lansbury, respectively, in the roles of the captivating actress Desirée Armfeldt and her worldly-wise mother Madame Armfeldt.” [Playbill]
“The end of the world was on the program Thursday night — but for the New York Philharmonic, performing the apocalyptic opera Le Grand Macabre was a promising new beginning.” [NYP]
La Cieca has just heard from one of her habitually infallible moles that the refitting of the Met’s stages for the Robert Lepage Ring began today.
“I would only ask if there is any director who stays every day in the place he works,” Mr. Domingo said, his voice rising. [Wall Street Journal]
Chandos has issued an excellent new CD of Serge Rachmaninoff‘s one-act opera Aleko, written when the composer was only nineteen as a graduation exercise for the Moscow Conservatory.
One of parterre box’s oldest friends and earliest admirers, Der Schmuck der Madonna, emerges from his regal exile momentarily to plug what sounds like a memorable way to spend part of Memorial Day weekend:
… and the hope gets darker and darker as La Scoopenda performs Leonard Cohen‘s “Hallelujah.”
“Featured Doer” Peter Gelb is one of 15 candidates for a video interview in the HuffPost Spotlight Series. Go to the Peter Gelb page at Huffington Post and leave a question (or three) for him. The five “doers” with the most questions asked will submit to a video interview!
Belle Miriam “Bubbles” Silverman was born in Brooklyn on May 25, 1929.
The delightful German soprano, who enjoyed a 40 year stage career, died yesterday in Switzerland. She was 83.
The U.S. Supreme Court will let stand a Colorado law that bans actors and actresses from smoking while performing their roles on stage. The Colorado Clean Indoor Air Act applies to all theatrical performances, including that smokiest of all operas, Carmen. [allvoices.com]
Someone or something in Cincinnati doesn’t want Die Meistersinger to happen. Today, three more cancellations were announced, including Thomas Allen (Beckmesser) and Evgeny Nikitin (Pogner). [Cincinnati.com]
Finally, finally La Cieca devised a Regie quiz that really put the cher public on their mettle, and in fact, the only one of you even to narrow in on the right answer was 79CXR, whose wild guesses included a direct hit. The opera was Handel’s Hercules, as directed for the Luzerner Theater by Dominique […]
In a tidbit sure to warm the cockles of Our Own Vicar of John Wakefield, beloved artist Dame Josephine Barstow will return to the ‘boards’ of the Gran Teatre de Liceu in April 2011. The legendary septuagenarian singing actress will be heard in the pivotal rôle of “Mummy Lucy” in Richard Jones‘s inscenation of Rustic Chivalry.
The Wizard of Bayrueth was born in Leipzig on May 22, 1813. La Cieca invites the cher public to celebrate Wagner’s mastery of the music drama with selections from his Werk.
When attending a production by one of the myriad small, independent opera Companies in New York, it’s always a bit of a crapshoot. When I go to one of these things, I try and play by an old Irish saying: “If you’re expecting a kick in the balls, a slap in the face is a […]
“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]
The results are in for the first annual Pubie Awards, nominated and voted upon by you, the Cher Public. Turnout this year was spectacular, with some categories racking up as many as 2,647 votes. A few of the races were close, and La Cieca thinks you’ll see an upset or two among the winners, after […]
When invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who […]
The subtitle for Il crociato in Egitto, the last of Meyerbeer’s great Italian operas, is “Historic Melodrama in Two Acts,” and boy is it! A melodrama, I mean. I’m not sure about the historic part.
In honor of the impending revival of Porgy and Bess at New Jersey State Opera (marking the 75th anniversary of the premiere of the work), La Cieca invites the public to share their favorite YouTube clips of the Gershwin masterpiece. After the jump, La Cieca nominates a highlight and a lowlight of Porgiana.
As if her elegant carriage, pristine soprano and knockabout comedy skills (as enjoyed in La Fille du Régiment) were not sufficient claims to fame, Dame Kiri te Kanawa has branched out into the composition of surrealist poetry.
Andrea Bocelli is a pop singer, and a wildly successful one at that. So why does he feel compelled to pretend to be a dramatic tenor?
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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