Mitridate, re di Ponto
Philippe Jaroussky conducts a performance recorded last month in Montpellier featuring Levy Sekgapane
Philippe Jaroussky conducts a performance recorded last month in Montpellier featuring Levy Sekgapane
Anna Paquin cries at the opera to the Barcarolle from Tales of Hoffmann (Renée Fleming and Susan Graham)
It’s mad! It’s gay! It’s Michael Fabiano singing “Come un bel dì di maggio” from Andrea Chénier!
One of the most striking uses of opera in television appears in HBO’s The Leftovers.
I’m cheating by choosing TV over a movie, but I can’t not pick the Hamlet episode of Gilligan’s Island.
It’s a total fraud, but I have always loved Maytime‘s “Csaritza” a fake “MGM” opera based on themes from Tchaikovsky‘s 5th symphony.
A brutal, chilling, gory final scene leading to a triumphant and goose bumps inducing final moments.
And a more recent live recording, this time from London featuring Sondra Radvanovsky and SeokJong Baek
Zubin Mehta conducts a classic broadcast from 1966 featuring Birgit Nilsson, Franco Corelli, Mirella Freni, and Bonaldo Giaiotti
“Ebben, ne andro lontana” sung by Wihelmenia Wiggins Fernandez in Diva is a gorgeous woman in a beautiful dress singing a wonderful area in a legitimate concert venue. Great singing in my favorite French film.
parterre box presents for your comparing pleasure excerpts of three Italian sopranos trying their (poker) hands at Puccini’s Minnie: Carmen Giannatasio, Chiara Isotton, and Anna Pirozzi
Watching Fitzcarraldo at a very young age obviously turned me into a baby opera queen.
Bass-baritone Nicholas Brownlee is the winner of the $50,000 2025 Richard Tucker Award
Max Ophuls, one of the greatest film directors, made masterpieces in French, German, English and Italian, as well as an amusing comedy in Dutch; he also clearly loved opera.
Brian Jadge will be replaced by Brandon Jovanovich in the upcoming revival of The Queen of Spades, announces the Met press office
The terzettino from Così fan tutte makes an unexpected and unforgettable appearance in John Schlesinger‘s 1971 Sunday Bloody Sunday.
As opera and operetta “had a moment” in major Hollywood motion pictures starring the likes of Lawrence Tibbett, Jeannette MacDonald, and Nelson Eddy during the Great Depression, it made perfect sense that a canny showman like Mae West would want a piece of the action.
Visconti’s masterpiece and one of the great filmed sequences of opera.
Eleonora Burrato and Jonathan Tetelman lead a performance from Berlin recorded last week with Kirill Petrenko conducting
After seeing The Fifth Element I wanted to see Inva Mula live, which I did (Nanetta, two years after the movie) and she certainly did not disappoint!
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