La Cieca
James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.
“While humor and story telling can warm any occasion, a good scoop spreads through a room like an illicit and irresistible drug, passed along in nods and crooked smiles, in discreet walks out to the balcony, the corridor, the powder room.” La Cieca is delighted to learn that gossip is the new meth, at least…
By La Cieca
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La Cieca is no longer alone in the podosphere. She has just been informed of the debut a podcast “designed for rabid opera fans everywhere” by a new girl on the block, Mme. Stella Maria Krazelberg von und zu Brabant. Details on the first episode (“As the Fur Flies – Bitchin’, Brawlin’ Biker Chicks”) may…
By La Cieca
This week on “Unnatural Acts of Opera,” a 1998 live performance of Gomes’ opera Maria Tudor conducted by Luis Fernando Malheiro. The heroine of this opera (based on a rather improbable play by dear Victor Hugo) is the Queen of England known to history as “Bloody Mary.” As depicted by Gomes, Maria is regal, highly…
By La Cieca
Anna Netrebko is Anne Welles! Rolando Villazon is Lyon Burke! On the silver screen, every thrill, every shock of the best-selling novel by Jacqueline Susann! Uh, make that “the best-selling opera by Giuseppe Verdi…
By La Cieca
This week on “Unnatural Acts of Opera,” the kind of performance you just don’t hear any more: a “provincial” production of Manon from the New Orleans Opera, starring Montserrat Caballe. Like I said, this kind of thing just doesn’t happen these days. And did you hear about the 16 year old who sang Carmen last…
By La Cieca
La Cieca has been listening to so much good singing lately that she almost forgot there was such a thing as filth. Don’t worry, it’s still around, and filthier than ever. Mara Zampieri, anyone?
By La Cieca
It occurred to La Cieca that she might be well advised to listen (with her mind and with her ears?) listen to the music files she’s posting into her podcast “Unnatural Acts of Opera.” Not that there are technical problems with the source materials, oh, no, never that, but rather she thought she could start…
By La Cieca
Due to the sensitive yet detailed nature of the following item, La Cieca thought it would be amusing (not to mention safer) to present it in the enigmatic manner of “One Blind Vice,” Ted Casablanca‘s gold-standard column: Leggy Artiste commandeers a whole range of roles, French and otherwise, but lately she’s been panting for a…
By La Cieca
La Cieca’s fingers are trembling as she types these words because she has only just learned that amazing, awesome, authentic Aprile Millo will take on the title role of Leoncavallo’s Zaza for New York’s Teatro Grattacielo this fall. This latest installment in La Millo’s matriculation at the School of Verismo transpires November 12, 2005 at…
By La Cieca
Which intendant was hoping to steal away from the city of his current post, either to that American A-house, that chic summer festival, or even that international theater so beloved of Alberto Vilar — but, alas, lost out on all three deals owing to a bad case of loose lips?
By La Cieca
La Cieca notices that those lovely people over at Berkshire Record Outlet are offering what might fairly be called a plethora of opera performances on DVD, for just $8.99 a pop. Particularly drool-inducing selections include La Grande-Duchesse de Gerolstein (Regine Crespin), Lakme (Joan Sutherland), Carmen (Denyce Graves, Roberto Alagna), Un ballo in maschera (Carlo Bergonzi,…
By La Cieca
Imagine a world where alarm clocks dictate when to go to sleep…. where ugliness is beautiful… where it is a crime to make anything perfect… and where the cheap seats at New York City Opera cost $45.00. Welcome to the Bizarro World, arriving this fall at the New York State Theater. NYCO has jacked up…
By La Cieca
This week on La Cieca’s podcast Unnatural Acts of Opera, we hear Virginia Zeani and Giuseppe Gismondo scale the verismo heights of Mascagni’s Il piccolo Marat. This 1962 performance also stars Nicola Rossi-Lemeni and Afro Poli; Ottavio Ziino conducts.
By La Cieca
La Cieca has sneered quite a bit at Anthony Tommasini lately for his slipshod coverage of the Met’s archives and a really repellent obituary of Piero Cappuccilli. But it’s not like Tony is alone in his bumbling. This morning’s Newsday included a wire-service obit of legendary cabaret diseuse The Incomparable Hildegarde, who departed this world…
By La Cieca
This week it seems Tony Tommasini can’t do anything right. First he cooed over Renee Fleming‘s impossibly arch performance at a Mostly Mozart concert. Well, subjectivity and all that; still, you have to wonder where bad taste ends and starfucking begins. Then, in this morning’s paper, ironically in a piece about the Met’s archives, Tony…
By La Cieca
The ineffable Leyla Gencer gives a master class in grandezza in the latest episode of Unnatural Acts of Opera. The diva stars as La Gioconda in a live 1971 performance of Ponchielli’s opera.
By La Cieca
Placido Domingo wants to conduct at Bayreuth: Domingo will in Bayreuth den Taktstock schwingen. (And is La Cieca the only one who thinks that headline sounds like the first line of a Lieder text?) One presumes that on the dark night between Siegfried and Goetterdaemmerung, Domingo will jet to Los Angeles to sing a quick…
By La Cieca
Something for the weekend: La Cieca presents Act 3 of Die Walkuere as the latest Unnatural Act. The performance is a classic: Bayreuth 1951, Varnay, Rysanek, Bjoerling, Karajan.
By La Cieca
Piero Cappuccilli, considered one of the finest Italian baritones of his generation, lies in an advanced state of putrefaction today. He died July 12, but for reasons best known to Anthony Tommasini of the Times, that passing was not noted until today, i.e., nine days after the fact. Perhaps if Cappuccilli had achieved “international stardom”…
By La Cieca
La Cieca wants to let you in on the ground floor of what looks to be the tipping point in podcasting: Odeo. This web-based service offers the easiest and most elegant way she’s seen yet to receive podcasts: subcribe, synchronize, download, or just listen on the built-in player. The site promises in future to include…
By La Cieca
More bad news for Alberto Vilar. The Royal Opera House has given him 60 days to pony up the 10 million pounds he promised in return for their naming a reception area of the theater “The Vilar Floral Hall.” (Is this guy the Gladys Glover of opera or what?) Says Dame Judith Mayhew Jonas (chair…
By La Cieca
At long last, the final act of Bellini’s sublime bel canto masterpiece Norma, with Montserrat Caballe, Gianni Raimondi and Ivo Vinco. A 1974 performance from Moscow, Francesco Mollinari-Pradelli conducting. Plus: a new, user-friendlier web player! Unnatural Acts of Opera
By La Cieca
… there’s a change in cast in the current episode of “Unnatural Acts of Opera” — Fiorenza Cossotto canceled after the second act of this 1974 performance of Norma, and the part of Adalgisa was sung in the third act by Bruna Baglioni. La Cieca makes the announcement at Unnatural Acts of Opera.
By La Cieca
