La Cieca
James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.
La Cieca’s old, old, old friend Dorothy Bishop returns to her NYC home base, Splash, for an operatic/crossover take on Fashion Week. The rail-thin diva takes the stage consecutive Wednesdays February 11 and 18 at 8:00 PM each night. Both performances feature no cover charge and only minimal cover on Dorothy’s go-go backup dancers.
By La Cieca
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A member of the cher public reports that a note in the program for tonight’s concert performance of the Der Rosenkavalier in Paris reads: “Renee Fleming wears a dress by John Galliano created specially for the Gala Opening of the Metropolitan Opera on September 22, 2008.”
By La Cieca
Piotr Beczala will sing Edgardo in Donizetti’s Lucia di Lammermoor on Saturday, February 7 at 1:00 p.m. for the Met’s broadcast and HD telecast, replacing Rolando Villazón who is ill.
By La Cieca
One of La Cieca’s most trusted spies wangled his way into the house last night for the surprise cast change in Lucia di Lammermoor, and here’s his report: Perhaps it is the side benefit of low expectations, but I was not offended by Anna Netrebko‘s performance on Tuesday night. Though certainly not a bel canto…
By La Cieca
La Cieca unfortunately has been offweb since just before the announcement was made that Giuseppe Filianoti would be jumping in to tonight’s Met Lucia. (According to the Met’s press release, incidentally, “Mr. Villazón is still scheduled to sing Edgardo on February 7 matinee.”) Anyway, as Providence would have it, La Cieca has one of her…
By La Cieca
“He said he knew something was wrong when George Steele stopped answering his questions after their parachute deployed.” [The Press Association]
By La Cieca
Dr. Jonathan Miller‘s “keenly awaited” new production of La boheme for the English National Opera has been postponed for two nights due to a blizzard in London. “Having made enemies of virtually every individual in the human race, I have concluded that, at 75, I should move on with my life,” Dr. Miller whinged. “My…
By La Cieca
The glamorous soprano was born 90 years ago today, February 2, 1919. [kml_flashembed movie=”http://www.youtube.com/v/hGeCjq3uYX0″ width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
In all the hoopla about casting at the Met, everyone seems to have forgotten that today was George Steel‘s inauguration day as General Director of the New York City Opera. Day One: No news.
By La Cieca
Props to Sir Morosus who unerringly detected Die Ägyptische Helena in last week’s post-modern imagery. Moving on from post-modern to post-apocalyptic (is such a move can be considered progress), let’s hear some guesses what this opera might be.Â
By La Cieca
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By La Cieca
The Acts grow ever more Unnatural as La Cieca introduces the fourth and final segment of Adriana Lecouvreur. Later in the show, we hear Magda Olivero making a debut at an age when most people are ready to retire! Unnatural Acts of Opera
By La Cieca
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By La Cieca
Is it just La Cieca, or does someone at the New York Times have it in for Stephanie Blythe? Not the story by Anthony Tommasini, which is standard worshippy stuff — but the photos!
By La Cieca
This is from last night. La Cieca should note that she was not at this performance (1/29/2009), but a member of the cher public armed with an iPhone was. The clip is presented for the purposes of discussion. Tombe La Cieca will begin the discussion by noting that the scene is performed down a half…
By La Cieca
The operatives were busy over the midnight hours: “Act 3 was a mixed bag. The opening showed Villazon in much better form, with solid phrasing. The Mad Scene started out beautiful, Netrebko spinning out haunting legato. She was completely involved and engaged. Then she fell apart at the flute solo, sounding under supported and wavering…
By La Cieca
UPDATE: And now the reactions to Act 2: “Villazon continued to struggle. Pushed upper register and passaggio. High notes he seems to accomplish (or in some cases misses) by sheer will of force. Aside from a beautiful legato in the sextet, his voice is very worrisome. Netrebko has bloomed in this act, acuti seemingly in…
By La Cieca
Mom of the Moment Anna Netrebko and her weapons-grade bazooms are featured in an interview with the Post’s Barbara Hoffman.
By La Cieca
La Cieca hears that tonight’s Lucia at the Met will be the criterion for deciding whether one or both of the leads might be replaced for the final two performances of the run including the HD telecast February 7. La Cieca, alas, cannot be in the theater tonight, drat that pesky root canal, so she…
By La Cieca
La Cieca has obtained some exclusive footage from the first camera rehearsal for the upcoming HD telecast of Lucia di Lammermoor from the Met. Extra rehearsals, she hears, have already been called! [kml_flashembed movie=”http://www.youtube.com/v/6Wg04e24UPc” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
Cher public, a number of you have written asking how you can post links to YouTube videos in your comments. La Cieca is continuing to research the situation, but here’s a preliminary solution. When you are copying and pasting the URL of the YouTube video into your comment, omit the http:// , beginning the address…
By La Cieca
La Cieca has just heard that Opera Orchestra of New York will cancel the remainder of their 2009 season, which was to have consisted of Rienzi on March 19 and Medea on April 21.
By La Cieca
To finish the run of Lucia, including the HD. Just a guess, mind you.
By La Cieca
