La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Why oh why oh why oh?

It’s official: James Levine has withdrawn from Cincinnati Opera‘s 90th Anniversary Gala Concert (June 19) and the season-opening production of Die Meistersinger von Nürnberg (June 23 & 26). John Keenan takes up the Wagner duties and a roster of guest conductors fill in at the gala.

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Only in New York, cher public

Well, you know, sometimes it’s not easy being a benefactress. Would you believe that both winners and the runner-up in yesterday’s Zauberflöte contest all live in Nova Scotia and Irkutsk and places like that and so are not able to accept the tickets to Inner Voices playing here in the city. So, round two, after […]

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CAMI-kaze?

“The halls of CAMI are not a happy place right now,” an insider informs La Cieca, and according to information received by parterre.com more than half a dozen long-time Columbia Artists Management personnel have not had their contracts renewed in recent weeks.

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Dies Chat ist bezaubernd schön

La Cieca (not pictured) welcomes her cher public to a second week in good old Egypt with this afternoon’s broadcast of Die Zauberflöte. She is delighted to announce that during this afternoon’s chat she will give away tickets to the fascinating new musical theater program Inner Voices which includes that mini-opera Whida Peru: Resurrection Tangle that Valmont […]

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Hidden in plain sight

Which tenor may have bought it — so far as the management is concerned at that theater where they’re still waiting for him to arrive for his first (and last) rehearsal? Just in case, a familiar figure is already heading across the river.

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Triumphal, arch

“Nobody dies in Partenope, Handel’s 1730 opera that ends in contentment and reconciliation. For the audience at the New York City Opera’s production Saturday night, the finale also hinted at hope for the troubled company’s future.”  [NYP]

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Eyes wide shut

You may think La Cieca is full of beans when she tells you that a maestro private-jetted in to New York today for a rehearsal and then jetted back again, with no plan to return to our metropolis until the day of the prima.

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Cake’s stand

“…in Parsifal, instead of digging out the chapters from Metaphysics for Dummies (which is what basically everyone does, except Herheim!), [Calixto Bieito] made it a perfectly plausible story, close to us, to our lifestyles…

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Coote, ya know.

[San Francisco Chronicle]: I’m certainly not the first person to observe how convincing you are in male roles. Would I be correct in thinking that the line outside your dressing room after these performances is rather, um, interesting?

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In your regie bonnet

Either the directors are running out of ideas, or else the cher public is just getting too smart. Once again, the first guess was the right guess: the opera in last week’s Regie quiz was indeed Un ballo in maschera. (And you, SF Guy, need to get to bed earlier!) After the jump, La Cieca’s […]

By 48 comments

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