James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
“’I never understood why’… Men take steroids. I mean ok, it makes you big and buff, but it shrinks your penis. I mean ok, the muscles attract the women, but at the end of the night, aren’t they embarrassed?” [Playbill Arts] “Some in the business call it ‘Peter’s Dilemma’.” [New York Times]
Our Own Betsy (pictured) shrieks, “WELCOME TO THE DARK SIDE ! A whole afternoon full of really bad bargains with the King of the Underworld.”
La Cieca is delighted to announce that after a long absence Our Own JJ (not pictured) has returned to the pages of Musical America with another entry in his “Rough and Regie” blog— this time comparing Atys with Follies.
Yes, yes, La Cieca realizes that parterre has gone “All Anna All the Time,” but, hey, she’s opening the Met season in a company premiere, plus we like her. Anyway, La Netrebko is profiled, covered, revealed, reported, what she eats and when and where, whom she knows and where she was and when and where […]
Here, on what appears to have been a rather chilly evening, are Michael Fabiano and his “mom” Renée Fleming in Die Walküre Lucrezia Borgia at the San Francisco Opera.
Today is the dress rehearsal/preview of Anna Bolena at the Met, and naturally La Cieca has infiltrated the event with a veritable phalanx of spies. After the jump: all your latest Anna Netrebko related news.
“Sony Classical is proud to announce the signing of an exclusive recording contract with Plácido Domingo. This new agreement brings the legendary singer back to the company where his unparalleled recording career started in the late 1960s. Sony Classical’s catalog boasts many of his milestone recordings, and the renewed collaboration between Mr. Domingo and the […]
For those of you not fortunate or not conscientious enough to attend Atys at BAM this week, there’s a video document of the production (taped earlier this year) following the jump.
Versatile diva Violeta Urmana takes on the demanding verismo role of Giordano’s Fedora for the first time at… Oh, sorry, that’s René Pape as Méphistophélès in Faust at Covent Garden! (Photo by Catherine Ashmore)
The prognosis from Jonas Kaufmann‘s surgery seems to be very positive indeed: the tenor and his family were spotted Saturday enjoying the Oktoberfest in Munich. Details after the jump.
Even though that other soprano, whatever her name is, has garnered a lot of ink for opening the Met season with Anna Bolena, the real news here is the “dream team” Gheorghiu/Callas collaboration, a highlight of which has been the “Divina Draculette” photo retouching competition. La Cieca has sifted the many fine entries and has […]
La Cieca invites the dear companions of her loge (i.e., the cher public) to chatter away about any and all unrelated topics, on this, your Intermission Feature thread for the week of September 18.
“With the news this month that James Levine had slipped and injured a vertebra while vacationing in Vermont… Fabio Luisi became the company’s music director in all but name.” [New York Times]
The diva, soon to open the Met season in Anna Bolena, marks the Four Oh milestone today.
“Zeffirelli, who has been directing plays, films, and operas for more than 60 years, laments that the Met recently started phasing out some of his classic productions, including Traviata, Tosca, and Carmen, for ‘financial reasons,’ he says. And substituting them with ‘hippie crap’.” [Variety]
The place to be this afternoon is where the chat concerns Il trittico from the Royal Opera House. The triple play broadcast begins at 1:20 EDT and may be heard on the BBC iPlayer. (For other listening options, consult Operashare.) The chat, of course, will flow freely in La Casa della Cieca.
La Cieca would like to nudge gently the cher public with a reminder that there is only one day left in the great “Divina Draculette” photo retouching competition, noting the slight change in rules calling for you to email La Cieca with your photos. Prizes for the best in show include Sony’s live Met CD […]
On this day 34 years ago, Maria Callas died in her apartment in Paris. Since then the iconic diva has been recollected, documented, analyzed, digitized and portrayed by Tyne Daly. La Cieca invites you, the cher public, to keep her mind today by sharing your favorite Callas performances in the comments section.
It will come to no surprise to the parterriani (though perhaps something of a relief to Peter Gelb) that the most coveted ticket of the fall season in New York is Anna Bolena, the Donizetti premiere at the Met featuring Anna Netrebko‘s lovely head. Complete results of the more than 1,100 votes cast in the […]
La Cieca assumes that it was while changing frocks from citron to sage that America’s Multitasker Renée Fleming approved the above-pictured outdoor advertising for LOC’s impending season. Because, after all, what celebrity screams “Lyric Opera of Chicago” more obviously than Vanessa Williams? (Thanks to AC for the photo!)
Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)
Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]
Oh, this should turn out well: “Angela Gheorghiu has recorded a collection of French and Italian opera arias in tribute to the late Maria Callas for EMI Classics…. included are arias by Puccini, Gounod, Bellini, Leoncavallo, Saint-Saëns, Catalani, Bizet, Giordano, Cherubini, Massenet and Cilèa.” Which gives La Cieca an idea for a competition, after the […]
Tenor/conductor/impresario/corporate shill Placido Domingo welcomed an extension of copyright protection across Europe today as “great news for performing artists.” Well, he’s half right.
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