James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Which summer festival, barely an hour north of Manhattan, will offer as its opera performances in the summer of 2012 Rossini’s Ciro in Babilonia (with Ewa Podles, Jessica Pratt and Michael Spyres) and Bellini’s I Capuleti e i Montecchi (with Kate Aldrich, Eglise Gutierrez and Leonardo Capalbo)?
“An atomic explosion kicked off the last act of Gounod’s Faust Tuesday at the Met, but the production as a whole was more dud than bomb.” [New York Post]
La Cieca (illustration courtesy of the Wall Street Journal) invites you, the cher public, to enjoy a chat tonight during the prima of Gounod’s Faust from the Met.
Nicely readable profile of Jonas Kaufmann in the Wall Street Journal today, but how come it’s illustrated with a drawing of Neil Diamond?
Leave it to those Torontonians to blow the lid off an opera story happening in New York! (Goodness knows the local journalists don’t bother.)
La Cieca’s looking for a few good commenters to join the exalted ranks of parterre reviewers of new CD and DVD releases. Care to apply? Read on after the jump.
Soprano Mirella Freni is under investigation by the Bologna District Attorney’s office of Bologna for money laundering and exportation of money abroad in connection with the BER bank. The artist from Modena, 76, will be heard by the magistrates in the next few days to clarify her position, now that the DA Antonella Scandellari has […]
La Cieca insists you, the cher public, observe the “no whispering” rule during the performance, but, come intermission time, you are encouraged to chatter on and on about anything and nothing this week of November 27.
Indeed those were Cretan windmills seen in the most recent Regie quiz, and once that fact was established, manou and MontyNostry quickly closed the case: the opera is indeed Idomeneo, as performed at the Tiroler Landestheater in a production by Peer Boysen. You’ll find more to puzzle over after the jump.
Our Own Betsy (seen at left in an “unretouched” photo) declares, “Good evening, horror-lovers, and welcome to Tales from the Box. This is your Olde Box-Keeper with a gruesome fewsome to feed your screamin’ Mimìs. Tonight we pay tribute to the upcoming prima at the Met of Fausit, in which an old man pays for […]
All La Cieca can say is that so very many of you here shine in diamond splendor, and she only hopes she can stream even a single ray of light into the night of your heart. The results of the “Ian Bostridge” competition are after the jump.
La Cieca is sure that you, the cher public, will have the mostess’ of fun this week with the vast selection of operatic activities available in New York, which is why she’s offering you a few brief recommendations after the jump.
Is Peter Gelb wearing too many hats? Anthony Tommasini seems to think so, adding that one of those headpieces in particular is ill-fitting and might perhaps more flatteringly perch upon some other head. Call La Cieca suspicious, but she thinks the timing of this piece is hardly an accident.
Even as sinister gossip hinted to the contrary, the Met successfully completed negotiations with the stagehands’ union last night, averting the possibility of a job action next week. According to a source close to the Met, Peter Gelb sent out an email confirming the contract sometime after 1:00 this morning:
Legendary soprano Sena Jurinac, one of the most beloved artists at the Vienna State Opera, died yesterday. She was 90. [via AP]
La Cieca hears that the premiere of a new production may be marred. The reason? The company might have to perform the Paris version of this opera.
Slim British tenor Ian Bostridge arrives in town for a recital on November 28 featuring Thomas Adès‘ “Darknesse Visible,” as well as the work upon which it “reflects,” the John Dowland song “In darkness let me dwell,” as a sort of prelude to an evening of Heinrich Heine settings including the Dichterliebe. And you, cher […]
“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There […]
As the dear Marquise de Merteuil found out to her sorrow, the only worse than not being talked about was being talked about. But worst of all, cher public, is having no place to go for general interest and off-topic conversation. So here you are: your place to promenade during this week’ intermission.
Miss Bobolink accepts the challenge: It’s Margaret-and-Will Day!
Different people look at things from different points of view: a fact so familiar it’s the refrain of one of the songs from the beloved music musical Lost Horizon. So La Cieca will have no quarrels if you don’t agree with her choices of must-see programming for the upcoming week.
“Now that it has become apparent that Robert Lepage‘s production of the Ring at the Met is a fiasco (too soon? Nah.)… well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn’t killed anyone yet, and since, let’s face it, the Machinecentric show turned out to be so mind-bogglingly […]
From the Met press office: “Jay Hunter Morris will sing the role of Siegfried in Siegfried on April 21 matinee and April 30, 2012, and in Götterdämmerung on May 3, 2012. He replaces Gary Lehman who has withdrawn due to illness.”
“Rumors were that an ‘Occupy’-something group would disrupt Wednesday night’s US premiere of Kommilitonen! But the Juilliard Opera performance went off without offstage fireworks, and proved to be a well-crafted and moving meditation on student activism.” [New York Post] (Photo: Nan Melville)
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