Since an early appearance as Schaunard in Baz Luhrmann’s Broadway La bohème, barihunk Daniel Okulitch has been steadily building a substantial career. Along with noteworthy performances as Don Giovanni in New York and Figaro in Le nozze di Figaro in Los Angeles, much of his career has been centered on contemporary work. He has leading…

When sending out CDs to for me to review, our doyenne could not know that I have a fetish for 1950s vintage import LP jackets. I remember combing through the LP bins gazing admiringly at the import disks of a generation of middle-European singers who I was too young to have heard in person, who…

When a new production of Fidelio premiered at the Met in 1960, the opera had been absent from the repertoire since 1951, the post-war return of Kirsten Flagstad as a still effective Leonore and led by Bruno Walter. In the period between the two productions a new generation of singers had begun to make their…

The career of Sondra Radvanovsky has had an odd trajectory. A veteran of the National Council Auditions and the Lindemann Young Artists program, much of her work has centered on the Metropolitan Opera, which her press materials call her “home” theater. Yet her early career there was slow in starting. After numerous Aida Priestesses, around…