Streaming and discussion begin at 7:30 PM.

Yoncheva’s Mimì was an ethereal incarnation: paradoxical, difficult, and nuanced. More so than Angel Blue, who offered transparent warmth and gorgeous singing, Yoncheva’s Mimì perambulated through the opera’s imaginative field with sickly beauty—an angel of death, evincing not so much a febrile, passionate convulsion, as a methodical approach to some mysterious threshold. — Patrick Clement James

Photo: Ken Howard/Metropolitan Opera

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