
While most of them centered their careers in Europe, all but one managed at least a few performances at the Met. Della Casa leads with about 175 performances, followed by Szell and Berry with just under 100 performances each. Simoneau sang only five performance as Don Ottavio and Sciutti, in her post-soubrette era, debuted as a stage director for a revival of Così fan tutte. Dönch had a stronghold on Beckmessser for a few seasons. Hotter and Böhme demonstrated their artistry in Wagner and Strauss roles. Köth is the only one to not have the Met on her résumé.