Cher Public

Tenors gone wild

Among several fine productions at Aix this summer, Dmitri Tcherniakov’s brilliantly conceived and executed Carmen proved a game changer.  Read more »

Martyr system

Other than Israel in Egypt and Messiah, Handel’s English oratorios aren’t all that different from his operas—characters under duress trading da capo arias—except for all those choruses. But what choruses! William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora and the always stellar group reveled in that demanding work’s magnificent choruses transforming them into the highpoints of an otherwise oddly unmoving evening.  Read more »