Headshot of La Cieca

Cher Public

  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM
  • LJ: here’s the SBS interview http://www.sbs.com .au/news/article/2 014/08/08/operas-h ottest-tenor-ho... 6:15 AM
  • manou: œdipe is on the naughty step – but I hope he will be back soon, holding hands with bassoprofundo. 6:15 AM
  • ML: Oedipe — où es-tu? 5:42 AM
  • ML: Well, as you suggest, there are not performances in French of comparable quality. This is ultimately the... 5:34 AM
  • La marquise de Merteuil: Cocky, I have to disagree re Goerke as Elektra. I didn’t attend last night as... 5:24 AM
  • lyrebird: Actually, the figures are worse than my rough estimates above. If anyone cares (and I’m... 5:19 AM
  • lyrebird: Sorry to disagree. The second concert in Sydney went on sale well before anything like the first... 4:59 AM
  • Cocky Kurwenal: I saw Elektra last night at the proms and seem to be at odds with everybody on Facebook and... 4:41 AM
  • Lohengrin: I also wondered about the way of PR. For exemple in Krumlov/Tchechien they offert JK in all... 4:40 AM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital? Classical music and the recording industry have undergone remarkable changes during the intervening years, but Cecilia Bartoli remains the same passionate iconoclast who burst onto the scene with that 1988 Rossini CD. Any new Bartoli recording has become a big event, and Mission–her just-released collection of music by Agostino Steffani–proves once again that there is no one quite like Bartoli– ever the Roman conqueror! Read more »