Cher Public

  • Camille: Thanks for the mention of the Cinq-Mars as I’ve long been curious about it. If any of the rest of the score is as pretty... 12:40 PM
  • Camille: Oh lordy–Chris Merritt strikes again! You know, I heard him almost exactly ten years previously, in May 1997, give one of... 12:35 PM
  • Camille: I cannot thank you enough for mention of the theatre at Compiègne as it was their production, I now see, which I used to... 12:29 PM
  • Cicciabella: So sorry I missed this. But, seek and ye shall find… 12:10 PM
  • la vociaccia: Honestly she shouldn’t have to explain herself; she cancelled and its her business. But it’s not really viable... 11:13 AM
  • chicagoing: Statement from Deborah Voigt about upcoming schedule (from her web site); Recent announcements from Florida Grand Opera and... 10:27 AM
  • NPW-Paris: Their latest issue is Gounod’s Cinq-Mars, with Mathias Vidal, Tassis Christoyannis, Véronique Gens, etc., and the Münchner... 6:44 AM
  • NPW-Paris: And later the Opéra Comique joined in, and the Palazzetto Bru Zane with some very interesting recordings. 5:39 AM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital? Classical music and the recording industry have undergone remarkable changes during the intervening years, but Cecilia Bartoli remains the same passionate iconoclast who burst onto the scene with that 1988 Rossini CD. Any new Bartoli recording has become a big event, and Mission–her just-released collection of music by Agostino Steffani–proves once again that there is no one quite like Bartoli– ever the Roman conqueror! Read more »