Cher Public

  • Camille: “Schweig — Schweig . . .” VORHANG 9:51 PM
  • Camille: Thank you for your kind impulse and I do plan to re-visit it, and would hope this indication would help anyone else curious or... 9:48 PM
  • Camille: Well, diffused WAS probably a kind adjective to employ. It was a voice ehich got through it all, to be certain, but had seen more... 9:32 PM
  • Camille: That broadcast was April 1992. Wrong year, Camille. I think I’ll try to lay hands on this DVD as I now have recalled... 9:30 PM
  • Camille: Just now home from ‘The Girl of Spanish Harlem’. Because of Mr Patrick’s warning, I took the precaution of... 9:26 PM
  • Jungfer Marianne Leitmetzerin: Jeritza sang the first six Met performances of “Jenufa̶ 1; in 1924/1925. When the new production... 9:00 PM
  • Bill: Jungfer – Gentele and Kubelik apparently had some interesting plans – but alas it was not to be. It was my first hearing... 8:41 PM
  • Jungfer Marianne Leitmetzerin: Thank you. Gosh, Terfel is really starting to look like Zero Mostel! 5:23 PM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital? Classical music and the recording industry have undergone remarkable changes during the intervening years, but Cecilia Bartoli remains the same passionate iconoclast who burst onto the scene with that 1988 Rossini CD. Any new Bartoli recording has become a big event, and Mission–her just-released collection of music by Agostino Steffani–proves once again that there is no one quite like Bartoli– ever the Roman conqueror! Read more »