Cher Public

  • La Cieca: 4:01 PM
  • redbear: An Austrian newspaper has her and Roberto in Lohengrin at Bayreuth in 2018. 3:53 PM
  • La Cieca: Divas, They’re Just Like Us: Anna loses (and retrieves) an earring whilst singing Kálmán. httpv://www.you... 3:24 PM
  • armerjacquino: de los Angeles was a soprano! As far as Garanca is concerned, I can certainly see her as Eboli- the Veil Song is surely a... 3:22 PM
  • Bill: Camille – judging from this Santuzza aria, I would venture that Garanca’s foray into the dramatic Mezzo repertoire is... 3:16 PM
  • armerjacquino: I saw Gustafson a few times in the late 80s- I remember she was the Alice in the 1988 Glyndebourne FALSTAFF which I saw at... 3:06 PM
  • Bill: Camille – Garanca is not necessarily a singer who cancels performances. She, of course, has given birth to 2 daughters and... 2:54 PM
  • Camille: httpv://youtube.co m/watch?v=fe28C54T sAI Beh…bella voce davvero ma non SA DIRE proprio NIENTE! E di più, non ha per niente... 2:06 PM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital? Classical music and the recording industry have undergone remarkable changes during the intervening years, but Cecilia Bartoli remains the same passionate iconoclast who burst onto the scene with that 1988 Rossini CD. Any new Bartoli recording has become a big event, and Mission–her just-released collection of music by Agostino Steffani–proves once again that there is no one quite like Bartoli– ever the Roman conqueror! Read more »