Headshot of La Cieca

Cher Public

  • Clita del Toro: I watched about half of The Requiem as I didn’t know it was on. I did enjoy it. 12:04 AM
  • 98rsd: Am I missing some key fact? Is there a reason an orchestra member SHOULD be paid more “than,... 12:00 AM
  • steveac10: Who said anything about outsourcing? I said there are innumerable qualified applicants for that... 11:56 PM
  • Constantine A. Papas: To change the subject: did anyone watch Verdi’s Requiem with LA Philharmonic on... 11:56 PM
  • steveac10: I said nothing about glamour. I also think you are underestimating the pool of talent that would... 11:48 PM
  • ianw2: I hadn’t responded as I haven’t read the 2012 book- I’m drawing on what I know... 11:40 PM
  • DellaCasaFan: It sounds from his subsequent response to ianw2 that the quality-adjusted productivity was not... 11:35 PM
  • ianw2: I should’ve added ‘public̵ 7; to the description of ‘cheerleader ’.... 11:23 PM
  • ianw2: Since you brought it up, the HDs could be argued as a way of increasing productivity with a fixed... 11:22 PM
  • La Cieca: i love the assumption, for example, that members of the met orchestra really don’t deserve to be... 10:56 PM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Mission statement

Can it be nearly a quarter-century ago that an Italian mezzo-soprano in her early twenties recorded her first recital? Classical music and the recording industry have undergone remarkable changes during the intervening years, but Cecilia Bartoli remains the same passionate iconoclast who burst onto the scene with that 1988 Rossini CD. Any new Bartoli recording has become a big event, and Mission–her just-released collection of music by Agostino Steffani–proves once again that there is no one quite like Bartoli– ever the Roman conqueror! Read more »