Cher Public

  • lyrebird: Howdy Sutherlanders- Brian Adams’ La Stupenda’ also devotes pages to the Lucia first night and notes ”... 10:05 PM
  • Lohenfal: Bruschino, I don’t think that Gelb hates Fidelio or any other opera. It’s his way of looking at things. If he could... 9:22 PM
  • steveac10: And yet the Met seems to think the best way to use him is as Marcello in Boheme. Hopefully last years Germonts opened a few... 8:31 PM
  • operablogger: …and speaking of opera in the hinterlands (although Santa Fe is less “hinter̶ 1; than many other venues),... 7:52 PM
  • phoenix: Harteros was great, Ciccia – I didn’t care for her in Italian opera, but tonight she was great. Her voice... 7:38 PM
  • Signor Bruschino: Kind of off topic, but Fidelio popped into my mind yesterday and it’s lack of appearance at the Met recently.... 7:16 PM
  • laddie: Quinn Kelsey conquers Santa Fe in Rigoletto: http://tinyurl.com /o9nhnmb Definitely some of the best singing ever heard in Santa... 7:03 PM
  • antikitschychick: Great news; looking forward to Saturday’s broadcast :-). I suspected it would be a great role for her after I saw... 6:31 PM

Under a linden tree

A new CD features the ten most gorgeous minutes recorded by a tenor in Wagner since World War II. It is Jonas Kaufmann singing from Act Two of Siegfried “Dass der mein Vater nicht ist… Du holdes Vöglein!” – otherwise known as “The Forest Murmurs.” This fragment lies perfectly for him, in the very middle of his voice, with a brief G the highest note.  His tone is sumptuous and flows effortlessly with the glamour, distinctiveness and immediate recognizability that define a great “classical” singer. He is able to sing over a wide dynamic range from breathtaking softness, always full bodied, to a ripe but never heavy sound at fuller voice, and there is wonderful contrast throughout. Read more »