Headshot of La Cieca

Cher Public

  • A. Poggia Turra: Apologies if already posted: On 21 June at 20:15 CEST, Arte (not Arte LiveWeb) will show a tape... 3:12 AM
  • Nerva Nelli: Nothing like some novel anecdotes to perk up the site! 1:24 AM
  • Indiana Loiterer III: Only happy music? What about the Veil Song? 12:52 AM
  • thirdlady: for me, maazel’s tempi were infinitely less egregious than the truly awful face-of-jesus... 12:45 AM
  • zinka: Typo..Armen BOYAJIAN… 230; 12:44 AM
  • zinka: httpv://www.youtub e.com/watch?v=fUuu pi_R4xc About 40 years ago,some dude brought Galvany an Attila... 12:43 AM
  • zinka: In 1965, I was singing in Tchaikowsky’ s “Yolantha,&# 8221; and the lead was sung by a lovely... 12:39 AM
  • hawksmoor: I must thank Hippolyte, because as I recall, Hipp directed me to the scathing NYTimes review of... 11:51 PM

Sachs appeal

Opera’s Scottish enfant terrible David McVicar has applied his considerable skills in this 2011 Glyndebourne production of Die Meistersinger, the result being a refreshing new take on a familiar warhorse. The setting has been updated from medieval Nuremburg to vaguely Victorian, which is, of course, when Wagner would have been, like the character David, in his apprenticeship, and the costumes have a certain “Nicholas Nickleby” feeling.   Read more »

LA thinks pink

barbiere_pinkVocal glamour in abundance highlighted the opening performance of LA Opera’s Il barbiere di Siviglia on November 29 at the Dorothy Chandler Pavillion, with much buzz attendant on the company debuts of Rossini experts Juan Diego Flórez and Joyce DiDonato. Adding excitement was the Figaro of Nathan Gunn, who played with Errol Flynn panache, and a production rich with Sevillian atmosphere.  Read more »