Kaufmann, Italian style

Our Own Ercole Farnese discovered and translated this interview in La Stampa with Jonas Kaufmann, in which the tenor discusses his “his idolatrous success with ladies and gay men, four fifths of the opera-goers.”

Cobra Jewel Song

The annual Richard Tucker gala came and went at Avery Fisher Hall with the usual quota of gaffes, wardrobe malfunctions, no-shows, too-much-shows, substitutions and surprise guests (well, guest).  And sandwiched between the routine, the egocentric and the just plain dull were moments of true dementia, the moments that we melomanes live and die for.  Most…

La morale in tutto questo?

Don Pasquale is one of those operas that make listeners feel very happy and gay, who, after seeing it, live happily ever after and gayer than before.  It’s about a whore who needs to get laid, with an eye on the young (once and still bottom) hunk versus the older (once top, yes you guessed…

Two by two

As part of the massive CD/DVD release celebrating the 40th Anniversary of James Levine at the Met, “In Concert at the Met, 1982-83” offers generous excerpts from three memorable Gala Concerts: from February 1982, Troyanos-Domingo-Levine; from March 1982, Price-Horne-Levine; and from January 1983, Domingo-Milnes-Levine. I had the pleasure of being in the house for each…

When I haven’t sung my songs

“Renée herself seemed as if she’d rather be somewhere else.

prepackaged pathos

Those of you cher public who ordered and enjoyed Decca’s bargain Wagner box may now be interested in a bargain Puccini edition offered by EMI. The set, Puccini: The Operas, retails for $59.98 (less than four bucks a disc) and includes complete performances of: 

Yes, it is good to be back

You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is…